Multi-talented and an inspiring teacher, Ruth gives 100%

At the end of 2024, after 15 years leading the Johannesburg Bach Choir, Tim Roberts stepped down as Music Director and Ruth was appointed to follow him with effect from 1 December 2024. Ruth says that succeeding Tim is a great honour and a unique opportunity to continue to build the reputation and good name of the Choir.

Throughout her life, Ruth has jumped at musical opportunities in many environments. In 2012 for example, on one of four ocean cruises that she and husband have taken, she was selected by fellow passengers on a two-week voyage from Cape Town to Southampton to conduct this choir on the world cruise. The choir consisted of choristers from all over the world; from Australia to America, Europe and Britain. And, of course, Africa.

For many, the choir was the highlight of their cruise, something that inspired Ruth’s dream to form and lead a community choir of people who want to sing together but may not have the musical technique to do so in a “professional” choir in which one has to be able to read music. She brings a particular understanding of the challenges faced by singers and how to help them achieve a level of choir singing that can perform in public.

Another opportunity to work with a community arose when, just weeks before the Covid-19 lockdown, she founded the Johannesburg Queer Chorus with her son Thomas and Guy Trangos. Despite the travails of lockdown, the JQC, under her musical direction, grew apace and sang its first concert in February 2022. Further performances of this Chorus, dedicated to celebrating the city’s LGBTQIA+ community, followed, culminating in its participation, under Ruth’s direction, at the 2023 Various Voices Festival in Bologna, Italy. It was the only choir from Africa to do so. This was her final performance before she stepped down as its Music Director, having established a solid foundation on which the JQC continues to build.

But this was all to be in the future as a young Ruth completed her music degree. As mentioned in the previous article, she then started working for the Methodist Church of Southern Africa’s official newspaper, Dimension. Interviewing her for her first career job, that of administrative assistant was the Editor of the newspaper at the time, one Theo Coggin. He hired her and, over the years, taught her every aspect of producing a newspaper. At some point Ruth got tired of reporting to Theo, so she married him instead in December 1982. Theo has reported to her ever since. [An opinion of the writer that Ruth strenuously disputes.]

She did, however, become the Editor of Dimension in 1987 when Theo was appointed Deputy Director of the SA Institute of Race Relations. The first woman to do so, she held the editorship until the mid-1990s (together with the post of Information Officer of the MCSA) when she and Theo moved full time into their business, Quo Vadis Communications. Her time in the Church gave her vast experience as she worked with giants of the pre-liberation era such as Anglican Archbishop Desmond Tutu and Methodist Presiding Bishop Stanley Mogoba. As communications officer for the Church, she liaised with local and international media and was part of the MCSA’s national leadership.

Theo and Ruth’s relationship and marriage has always been full of graciousness and good humour. For instance, Ruth remembers being instructed by Theo in her early days of employment on the exact way in which his tea should be made. The tea pot and cup had to be warmed with boiling water. After pouring the warming water, the tea bag or leaves go into the tea pot and more boiling water is added. Only after being turned three times – anti-clockwise! – and resting for a few minutes, is the tea ready to be poured into the pre-heated cup. Needless to say, Theo today makes his own tea. [Not true, says Ruth.]

While raising a now grown-up family in which Ruth was stepmother to Andrew and Jenni and mom to the couple’s own son, Thomas, and building a strategic marketing and communications consultancy (a huge achievement in its own right), Ruth continued to sing, teach, play and conduct music. Joining the Johannesburg Bach Choir as an alto in 2013, she became the choir’s accompanist in 2018 when much loved Anglican priest and musician, Owen Franklin, retired from the role.

As a marketing professional Ruth also became involved in publicising the work of the Johannesburg Bach Choir. (She holds a Chartered Marketer qualification, as well as a Digital Marketing Diploma.) She was instrumental in preparations for the choir’s participation in the 2020 Leipzig Music Festival. When travel plans to Leipzig were sadly brought to nought by Covid, Ruth, in typical fashion, didn’t retreat into isolation. Instead, during lockdown she and Tim threw their energy into creating digital practice files allowing choir members to rehearse the pieces they were working on at home. Thanks to the pair, and, in spite of lockdown, the Johannesburg Bach Choir survived – even coming together, once strict lockdown was lifted, for practice every Monday evening via Zoom at Ruth’s home, with Tim singing and conducting the soundless voices via computer screen and Ruth accompanying on the piano!

This is pure Ruth. Giving 100% and then still finding some more.

More recently Ruth completely recrafted the website of the Johannesburg Bach Choir, including creating and uploading digital practice files. These allow the various sections’ voices to listen to their parts, a boon to members practicing at home. She also assisted Theo in creating The Bach Blog on the website, which you are now reading. Edited by Theo, the Bach Blog records and tells the history of the choir through the personal stories and recollections of members present and past.

In her spare time Ruth enjoys knitting, especially Aran jerseys. She also loves animals and at home is surrounded by a pack of boisterous canines, with musical names like Carmina, Papageno, Buxtehude and Wagner. Her favourite by far, however, is her silky grey cat, Mister Wu, named by Theo for a song made famous in the 1930s by George Formby. Ruth is also a keen water baby, celebrating the start of spring with what she calls the ‘Great Spring Swim’ – a dip in the large and unheated swimming pool of the Coggin home. No matter how icy, this occasion happens religiously on 1 September every year.

Despite her many interests, pursuits and activities Ruth loves the pipe organ the most. Ever her first love, and as her many friends and colleagues attest, she is never happier than seated at an organ expanding her repertoire. Her feet firmly on the pedals, hands on the manuals, she revels in “pulling out all the stops” of an instrument played most often to reflect God’s grandeur and magnificence.

Now it is the Johannesburg Bach Choir that is benefitting from her immense love of music, choral singing, and working with choirs. An inspired teacher and leader in her work and life.

Reiner Fossati

Marriage it shall be: the many faces of Bach choir rehearsals

By Lucia Poorter*

  • Lucia Poorter is a soprano in the choir
  • Theo Coggin is the editor of The Bach Blog

Jane Abrahams

English with a musical ring has lifelong memories  

By Tim Roberts

Some people one never forgets, often for a variety of reasons. Jane Abrahams, a former secretary, committee member and, not least, an invaluable member of the sopranos of the Johannesburg Bach Choir for many years, is just such a person.

It was not just Jane’s sterling work in the background, or enjoyment of sharing her gift of singing which remains in my memory, however.

Jane Abrahams before in concert, before she retired from the JBC.

When interviewing her recently at her home in Rivonia as part of our celebration of the Johannesburg Bach Choir’s Diamond Jubilee, I remembered that when in the choir, Jane’s eloquence in the use of English came through often as she would draw my attention to an elegant phrase in what we were singing.

I asked her why words were so important to her, little realising that she has been surrounded by words all her life; as a novelist (under the pen name of Jane Fox), a poet, a bookseller, an editor, and for some years a librarian at the library of the Rudolf Steiner Society in Bryanston, Johannesburg. 

This simply underlined how fortunate we are as a choir to have members who come from all walks of life. Writers, poets, artists, doctors, builders, lawyers, academics… the list knows no end, and musicians and singers fit in there somewhere as well!  

As Jane says when she recalls what drew her for the Johannesburg Bach Choir: “All my family sang in church choirs and choral societies in Essex in the UK when I was a teenager, and it seemed natural to sing in a choir later in life in Johannesburg.” 

Jane said one of her favourite pieces is the Faure Requiem, which she regards as a wonderful marriage of words to music.

She speaks with great happiness and delight that her son, Matthew, has also been a member of the Choir, and a grandchild is showing promising signs of carrying on the tradition in the family of making music.

As she approaches her ninth decade, Jane’s love for music is undimmed, and her support of the choir continues.

It is heartwarming to chat to members, not least to past members like Jane, who are part of a continuous group of people from many differing backgrounds who share a common joy in making music together, surely one of humankind’s greatest achievements.

  • Tim Roberts is the Director of the Johannesburg Bach Choir, Founder of the Apple Green Orchestra and annually presents the St Francis Baroque Festival.

Click here to read more about Jane and her life, including wonderful photos of Jane and her late husband, Lionel.

The Bach Blog

The Bach Blog was launched on Sunday 28 July 2024 in honour of the death of the great JS Bach, after whom the Johannesburg Bach Choir is named. It also celebrates the 60th anniversary of the JBC – its diamond jubilee – with the logo specially designed for the occasion by bass section leader Alastair Findlay. The Bach Blog features stories about members of our choir, or those associated with it over the years, written by other members of the choir and edited by Theo Coggin, a member of the bass section of the choir.

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Multi-talented and an inspiring teacher, Ruth gives 100%

Stuart Meyer continues his account of the musical journey of Ruth Coggin, the new music director of the Johannesburg Bach Choir.

Bach, singing and the pipe organ: a love story on its own

In the first of his articles on Ruth Coggin, the new music director of the Johannesburg Bach Choir, Stuart Meyer traces her musical journey from her teenage years of learning to master the grandeur of a pipe organ to participating in some of the seminal historic events in South Africa


Transitioning with the stars and music

Having grown up in a musical family and as a member of the Salvation Army, tenor Monde Ngwane believes “the stars aligned for me” in her musical journey. Singing was central to her family and supplied the impetus for her to enroll at the Associated Board of the Royal Schools of Music graded Durban Music School. She studied music theory and the cello and played in the KwaZulu-Natal Philharmonic Orchestra. She also sang with the Durban Symphonic Choir.


Faith is born through Bach and the sounds of the silence of nature

The end of a calendar year is often a time to say fond farewells to those members who are moving on. While it’s often a sad time, it’s also an occasion to remember them with gratitude for the contributions they have made in both song and friendship. One such person is Uschi Wellmann who has retired from her work at St Andrew’s School for Girls to take up a new position as matron at Paulpietersburg Christian Retirement Village in northern KZN. Before she left, The Bach Blog spoke to this much-loved soprano about how her faith and love of music all began.


Ecclesiastical, environmental, euphonious – gifts of a full life

Bishop Peter Lee and his wife, Revd Gill Lee, met in their 20s while they were both living in England. Gill is from central London and Peter comes from the deep countryside of Norfolk, known for its “open, flat, beautiful” land.


Mandy Collins, a member of our alto section, composed this poem for Tim Roberts’ farewell. We thank Mandy for giving us permission to publish this poem. Please note it is Copyright to Mandy – Theo Coggin, Editor of The Bach Blog.

Farewell to Tim Roberts

Monday 25 November 2024’s practice saw a heartfelt time of saying “thank you” to our music director, Tim Roberts, for his 15 years’ service to the Johannesburg Bach Choir. Accompanied by Ruth Coggin on the piano, each of the voice parts sang a song of their choice to him, the alto group finishing with Auld Lang Syne accompanied by Mandy Collins on a steel drum. A special gift to Tim was a framed cartoon of him, featuring his interests and hobbies. The hand-drawn cartoon was made by bass leader Alastair Findlay, with the inspiration and creative input for it by blog editor, Theo Coggin. Here is Tim with his harpsichord “racing car”, oboe, choir and singing elephant.

Photo by Ushi Wellmann


Members of the Johannesburg Bach Choir (JBC) come from all walks of life. That much is probably obvious. Not so obvious, however, are the fascinating array of interests (plus skills, experience, hobbies and sporting exploits) that many of our members enjoy. Marguerite Langton, a retired diagnostic radiologist who has been a member of the choir for many years, is one such person.


From “permission-of-husband-required” to JBC chair

It was the sublime, evocative voice of the late, great Kathleen Ferrier that struck awe into the young Kathy Whiteley, a former chairperson of the Johannesburg Bach. All she wanted was to sing like her. This is how Kathy’s love of singing started.


Six conductors and 60 years: Memories abound for Diane Coutts

The Johannesburg Bach Choir has been associated with some of South Africa’s most talented musicians during the past 60 years. Diane Coutts, who has performed with the Johannesburg Bach Choir as organist, pianist and harpsichordist, still accompanies the choir for rehearsals on an ad hoc basis.


The Johannesburg Bach Choir is delighted to receive a letter of congratulations on its 60th anniversary celebrations from the Leipzig Bachfest and the Bach Archive Leipzig. The Leipzig Bachfest is the world’s most significant Bach festival, attracting choirs from throughout the globe. We are honoured to be congratulated in this way.


Buck any difficulty with Bach and just love life

Love of the colourful tapestry that life has to offer has led to rewarding experiences such as those of the Membership Secretary of the Johannesburg Bach Choir. From her newfound love for bowls which she began playing after retiring in 2017, to her abiding love for the world-renowned diamond corporate, DeBeers, Sue has had an interesting life.


On entering Sue Webster’s sunny abode one is immediately struck by her collection of beautiful artefacts. A Sydney Carter oil, a Pierneef water colour, and works by her uncle, David Anthony Jones (reminiscent of the works of John Piper and Paul Nash) adorn the walls. Along the windowsills there’s an assortment of decoy ducks and wooden bird sculptures.




J. S. Bach’s longest tenure (1723-1750) was as Cantor and Director of Music of the Thomaskirche in Leipzig. Although he was not the organist in Leipzig, his later organ works were written while he was there. There are records of an organ having been there from around 1500 until Bach’s time, and two that were there in the early eighteenth century are known about. Both instruments received what we would call today “heavy maintenance” during Bach’s lifetime, although there appears to have been no extensive rebuilding as was done at Arnstadt. Neither of the instruments survives today. The photo in this post is of the present organ in the church. (Information from http://www.organhistoricalsociety.org. Photo from Facebook post of Stephen Lewis Furches https://www.facebook.com/profile.php?id=100008093808278&__tn__=-UC*F)


The Johannesburg Bach Choir will celebrate its diamond (60th) jubilee at a gala concert in November this year. Arrangements for the concert at St John’s College Chapel in Houghton on Sunday 17 November at 4.00pm (16h00) are already well in hand. They include plans to perform JS Bach’s acclaimed Cantata No 140 (“Wauchet auf, ruft uns die Stimme”) with Ilze van Staden as the soprano soloist, among other works.

Read more about our 60th anniversary…


Ballet, the bundu and the Bach Choir may not readily find an association in the minds of most people, but for alto Andrea Wilhelm, they fit together very neatly. Andrea, a member of the Johannesburg Bach Choir since 2022, is passionate about ballet, the bush and singing. An interview with her unpacked the meaning behind her unusual email address of bunduballerina@…

Read more about Andrea Wilhelm…


Painting, birding and beetle collection may be among their interests – but it’s singing together with other people that “lifts the soul”, says soprano Jemima Cantrell. She and husband Tony, a member of the bass section, are long-standing and faithful members of the Johannesburg Bach Choir, having joined in 2005.

Read more about Tony and Jemima Cantrell….


The ongoing continuum of musical expression is central to the entire personal and professional demeanor of Tim Roberts, the affable musical director of the Bach choir.

Read more about Tim Roberts…


The Mamas and the Papas of the 1960s would have little in common – one would think – with JS Bach, the doyen of Baroque composers, let alone with the Johannesburg choir that is named in honour of one of the most revered composers of all time. But listening to the animated manner in which the current chairperson of the Johannesburg Bach Choir (JBC) speaks of how much she looks forward to every Monday, the 1960s hit, “Monday, Monday”, by the Mamas and the Papas immediately came to mind.

Read more about Leona Malan…


60th anniversary concert date announced

The Johannesburg Bach Choir will celebrate its diamond (60th) jubilee at a gala concert in November this year.

Arrangements for the concert at St John’s College Chapel in Houghton on Sunday 17 November at 4.00pm (16h00) are already well in hand. They include plans to perform JS Bach’s acclaimed Cantata No 140 (“Wauchet auf, ruft uns die Stimme”) with Ilze van Staden as the soprano soloist, among other works.

The first concert of the Johannesburg Bach Choir was held on 1 September 1964 at St Catherine’s Anglican Church, Bramley, under the baton of its first director, the late Tony Fell.

Sixty years later, the choir’s diamond jubilee concert will take place under the direction of its present music director, Tim Roberts who has led the choir for more than a decade.

Since the choir’s inception in 1964, works by numerous composers – not only by JS Bach – have entranced audiences in a wide range of venues from the Johannesburg City Hall to more intimate settings.

A new logo to celebrate the occasion has been designed by Alastair Findlay, a member of the choir (see image).

Tim Roberts is a sought-after orchestral conductor and for his direction of exclusive music soirees in South Africa’s game reserves.

Trained at the Royal Academy of Music, London, Roberts says: “For me, making music is a passion but, more importantly, I want to let other people experience the same wonder I feel when I hear great music.”

Leona Malan, Chairperson of the choir, says: “The JBC welcomes everyone. The commitment of our music leadership to encourage the participation of all who love the chorale genre is fitting testament to this and we have been pleased to welcome members from a wide spectrum of our community in our diamond jubilee year,” she adds.

For the gala concert, the choir will be accompanied members of the Apple Green Orchestra and choir accompanist and assistant choir director, Ruth Coggin on the organ.

Tickets for the gala concert will soon be available on Quicket.